Hosts: BIFF, Korean Film Archive, Busan Visual Industry Center / Venue: Conference Hall, Busan Visual Industry Center (11F)
* Simultaneous interpretation(Kor/Eng) service provided
* It's possible to particiapte in every forum without forum badge.
| 10/9(Wed) | Reception and Practice of Early Cinema in East Asia | ||
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| 13:10~13:40 | Keynote Speech: Asian Pieces to the World Film History Puzzle – Jane M. Gaines (Columbia Univ.) | Moderator: CHO Jun-hyung (Korean Film Archive) | |
| Jane Gaines (Columbia University) | |||
| 13:40~15:20 | Session1 Reception of Early Cinema in East Asia | Moderator: CHO Jun-hyung (Korean Film Archive) | |
| Thrills, Power, Speed, and Stars: Distributing and Promoting Silent Film Serials in Japan | Rudmer Canjels (Independent media historian) | ||
| Canonizing Sexual Image, Devaluing Gender Performance: Replacing Onnagata with Actresses in Japanese Cinema | Hideaki Fujiki (Nagoya Univ.) | ||
| Adventure for Justice: Detective Stories as Transcultural Adaptation of Early Cinema in Colonial Korea | LEE Hwa-jin (Yonsei Univ.) | ||
| 15:40~16:40 | Session2 Early film production in East Asia | Moderator: LEE Ho-geol (Jiseok Film Institute) | |
| How Roleau became Songsan instead of Matsuyama: Early film practices in colonial Korea and the influence from American serial films | CHUNG Chonghwa (Korean Film Archive) | ||
| Early Chinese Filmmaking through the Lens of a Victorian/Japanese/Chinese Story | Xuelei Huang (Univ. of Edinburgh) | ||
| 16:50~17:50 | Session3 General Discussion | Panel: Mitsuyo Wada-Marciano (Kyoto Univ.) | |
| 10/10(Thu) | 균열과 생성: 한국영화 100년(1) | ||
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| 10:30~12:00 | Keynote Speech: Cinema: cracks and regeneration in life | Discussant: HUH Moonyung (Film Critic) | |
| 13:00~14:40 | Session1 Cracks in Korean Film Historiography | Moderator: SUH Daejeong (Pusan Nat’l Univ.) / Panel: LEE Soonjin (Film Historian), LEE Hwa-jin (Yonsei Univ.) | |
| Topography of Korean Film History in the Era of Digital Archiving | PARK Yuhee (Korea Univ.) | ||
| The Film-making history made by the State: A gaze at the gap between the 'Low-quality films' and 'Superior films' of the Yushin era | SIM Hyekyong (Chung-Ang Univ.) | ||
| Remembering as Cultural Practice and Film Historiography | CHON Woohyung (Chung-Ang Univ.) | ||
| 15:00~16:40 | Session2 Rupture and New Creation Caused by Korean Film Movements (PNU Film Institute) | Moderator: HONG Sang Woo (Gyeongsang National Univ.) / Panel: KIM Choong Kook (Pusan Nat'l Univ.), HUR Jeongsic (Film Scholar) | |
| 1947, The End of the Film Movement in the Liberation Period | HAN Sang-eon (HSECI Director) | ||
| Notes on the Ex-sistence of Modernism in Korean Film History: Focusing on Korean New Wave Cinema | KIM Soh Youn(Pusan Nat'l Univ.) | ||
| Comprehending the Cracks in Korean Independent Film Movement and Reading the Signs of Attraction since 2000’s | MOON Gwangyu(Pusan Nat'l Univ.) | ||
| 17:00~18:30 | Session3 Roundtable: Integration and Disintegration – The 100 years’ Moviegoers, the 21st Century’s Watching Movies | Moderator: CHEON Jung-hwan (Cultural Studies Researcher, Sungkyunkwan Univ.) Panel: JUNG Sung-il (Director, Film Critic), KIM Young (Producer), JUNG Chanchul (Hankuk Univ. of Foreign Studies) | |
| 10/11(금) | Cracks and Creation: Korean Cinema 100 years (2) | ||
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| 10:30~12:00 | Session4 Criticism at the Turning Point: Issues of Korean Cine-Feminism | Moderator: SOHN Hee-jeong (Yonsei Univ.) Panel: SONG Hyo joung (Film Critic, Daegu Univ.) |
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| 13:00~14:40 | Session5 Catastrophic Imagination of Korean Cinema (Im Kwon Taek Film Archive and Research Center of Dongseo University) | Moderator: NAM Inyoung (Dongseo Univ.) | |
| Comparative Study on Contemporary Korean Cinema & Global Cinema’s Catastrophic Recognition | LEE Jeeheng (Chung-Ang Univ.) Panel: KIM Jungsun (Dongseo Univ.) |
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| Class Divide and Catastrophic Imagination in Bong Joon-ho's Snowpiercer (2013) and Parasite (2019) | LEE Nam (Chapman Univ.) Panel: KIM Pil Ho (Ohio State Univ.) |
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| 15:00~16:40 | Session6 Cracks and Margins of Nation | Moderator: KIM Yiseok (Dong-Eui Univ.) / Panel: MOON Jaecheol (Chung-Ang Univ.), AN Jinsoo (UC Berkeley) | |
| Seoul-Hong Kong-Macau: Love with an Alien (1957), Sinophone World, and Postwar South Korean National Cinema | LEE Sangjoon (Nanyang Technological Univ.) | ||
| Korean Action Films of the 1970s and Asian Martial Arts Films: The Lineage of East Asian Action and Global Capitalism | Yi Youngjae (SungkyunKwan Univ.) | ||
| Mother and Monster: How 21st Century Korean Cinema on Female Immigrants Portrays Gender and Nation | JEONG Minah (Sungkyul Univ.) | ||
| 17:00~18:30 | Session7 Breaking and Crossing the Boundary of Division: Aesthetics of Rupture in North Korean Coproduction Film and Its Hidden Others | Speaker: LEE Hyangjin (Rikkyo Univ.) / Panel: LEE Jihoon (Philo Art Lab) | |